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March 26, 2025
Upcoming and current exhibitions
March 25, 2025
Eat My Multiverse, Museum of Moving Image, New York City, 11th April 2025
March 22, 2025
Entangled Slimifications, Barbican, London, 23rd March 2025
March 21, 2025
Hypercreatures: Future Mythologies, Max Ernst Museum
February 25, 2025
Interviewed by Frieze Magazine
January 6, 2025
Digital ink print at Art SG, Singapore
January 6, 2025
Glass Sculpture at Ryan Lee Gallery, NYC
January 6, 2025
Q is for Climate (?) in FIXING FUTURES, Museum Giersch, Frankfurt
December 21, 2024
Watch Gwangju Biennale Talk on Guggenheim Website
November 30, 2024
Slime Socks in Forbes
November 14, 2024
November 29 ‘Wild Data’ at V&A Friday Late
November 11, 2024
Wild Data featured in V&A’s publication “Digital Art: 1960s to Now”
November 1, 2024
Q is for Climate (?) at Gwangju Songjung Station
October 31, 2024
Q is for Climate (?) at Wuhan Biennale
September 30, 2024
Jo Lawson-Tancred, ‘A Suite of New Sculptures Across London Upends the Idea of Permanence’, Artnet
September 30, 2024
Live on the BBC to speak about Ent- (Non Earthly Delights)
September 24, 2024
Talk: London Sculpture Week Symposium
September 18, 2024
Ent- (non-earthly delights) at Frieze Sculpture
September 11, 2024
Q is for Climate (?) at Particolare
September 8, 2024
Speaking about quantum sound at the Gwangju Biennial Symposium
July 24, 2024
Quantum Magic: A Conversation with Libby Heaney for BIMA
June 11, 2024
News from the Quantum World | 2025 UN International Year of Quantum
June 11, 2024
Artist Talk & Book Launch | Libby Heaney. Quantum Soup | June 13th at 12pm CEST, HEK, Basel
June 11, 2024
L’Era Quantica é Vicina | Esquire Italy
June 11, 2024
Chat GPT-4.0 is not your girlfriend: Why we need to stop sexualising AI | DAZED
June 11, 2024
When the Star Roses Pour, at HERmit Space, MAHA Center in Beijing
February 19, 2024
‘Ooze Machines’ solo show at Brighton Festival
February 19, 2024
Ent- acquired by 0xCollection
February 16, 2024
Interview for Guest Work Agency
February 12, 2024
‘Heartbreak and Magic’ in ‘Digital Innovation in Arts and Culture’ by Samantha King
February 8, 2024
Behind the scenes video for ‘Heartbreak and Magic’
February 2, 2024
‘Heartbreak and Magic’ in Forbes’s top recommendations for February
January 31, 2024
Coming up in March: ‘Quantum Soup’ solo show at HeK
January 15, 2024
‘Notes on the Index in Accelerated Times’, Noam Segal for Pompeii Commitment
December 28, 2023
‘What’s it like to become an artist later in life?’ article in the Guardian by Gabrielle Schwarz
December 18, 2023
New commission ‘Heartbreak and Magic’ opening February 9 at Somerset House
November 28, 2023
‘CLASSES’ in art-in-Berlin
November 20, 2023
جوهر (Jawhar) at ‘Alserkal Avenue’
November 11, 2023
CLASSES is on view in ‘V01ces in the age of AI’ at Galerie Nord, Kunstverein Tiergarten until 13 January.
November 10, 2023
Interview with ‘Numero Art China’
November 1, 2023
Ent- at Beta Festival
October 30, 2023
Beta Festival and Ent- are featured in ‘Quantum Zeitgeist’
October 16, 2023
Interview with Ruth Waters and Tony Tremlett
October 11, 2023
Interview with Silicon Republic
October 9, 2023
Extraordinary Creatives: The Non-Binary Multiverse
October 2, 2023
Head vs Heart at the Serpentine pavilion
September 8, 2023
The playable version of “Ent-” in “Synesthetic Immersion” at 0xCollection
September 6, 2023
Julia Greenway and Paul Luckraft on Libby Heaney’s practice
September 6, 2023
slimeQrawl at Shoreditch Arts Club
July 10, 2023
The Possibilities Created by Quantum Computing
June 22, 2023
CLASSES at Present Futures Festival
June 21, 2023
Charlotte Kent on “Q is for Climate (?)”
June 15, 2023
In conversation with eyebeam: Algorithmic Imaginaries
May 19, 2023
“Ent-” at Art Encounters Biennial
May 18, 2023
Wild Data on Serpentine Twitch
May 15, 2023
Q is for Climate (?) at NXT Museum
March 2, 2023
Q is for Climate (?) at Etopia
February 5, 2022
Solo Exhibition with Berlin’s Light Art Space
January 29, 2022
BBC Radio 4 Woman’s Hour
January 11, 2022
CASCADE at Southbank Centre
January 11, 2022
Ent- at ZKM
