Current: The GATE: all connected, Gwangju Songjeong Station, Gwangju, South Korea, July 1 – 31 December, 2024. Wuhan Art Biennale, ‘Fluid of the City, Wuhan Art Museum, Wuhan, China, October
29 Nov, 18h30-22h Wild Data at V&A Friday Late Join me Friday 29 in the tapestry galleries at th V&A Museum to meander through Wild Data, originally commissioned by Mozilla
Digital Art: 1960’s to Now was published by the V&A and Thames and Hudson, and features a chapter by Pita Arreola on ‘data as the new gold’ that references Wild Data.
Q is for Climate (?) 2023, is currently on view as a public space screening at a new 17m media wall at Gwangju Songjung Station, curated by Seungah Lee
Ent- (Non Earthly Delights) featured in Artnet: “One of the most widely discussed works is Ent- (non-earthly delights)by Libby Heaney, who has gained a cult following for complex artworks emerging
Join Frieze Sculpture curator Fatos Ustek & myself alongside folk from Fourth Plinth, Sculpture in the City and The Line on September 25. Get tickets here.
Frieze Sculpture, Regents Park, London, 18 September – 27 October, 2024 Check out my first physical public realm work at Frieze Sculpture 2024 curated by Fatos Ustek in Regents Park,
PARTICOLARE, Kursalon, Vienna, 11-15 Sept I’m very pleased to be showing Q is for Climate (?) in this collectable exhibition centred around quantum, malleable time, alongside artists such as Alicia
I was interviewed by Alana Kushnir for Guest Work Agency about my artistic practice, the importance of contracts, and my new work Heartbreak and Magic.