Heaney will screen her video Q is for Climate (?) (2023) and give a talk about the magic of quantum physics and prehistoric cave art at Museum MACAN, 24th July 2025.
More information here.
Heaney will screen her video Q is for Climate (?) (2023) and give a talk about the magic of quantum physics and prehistoric cave art at Museum MACAN, 24th July 2025.
More information here.
The British Council partnered with Museum MACAn in Indonesia to support Heaney to visit the world’s first representational ancient cave paintings near Makassar, Sulawesi, East Indonesia.
More information here.
Heaney’s quantum video artwork Quantum Climates (2025) is in Sotheby’s Contemporary Discoveries auction. The auction will take place online 8 – 15 July and features artists such as Ai Weiwei, Keith Haring and Louise Bourgeiose among more emerging names.
Heaney’s first ever sound installation Qlimate Tongues (2024) will open at ArtScience Museum Singapore from 20 June.
See here for further details
Heaney performs Eat My Multiverse at Sonar on 12 June at 4:30pm on the Stage+D.
Further information on Sonar’s website here.
Heaney will perform Eat My Multiverse at the Museum of Moving Image, New York City at 7pm on the 11 April 2025.
Eat My Multiverse interrogates how quantum computing’s potential is reduced to commodified, consumable forms driven by capitalist greed. Artist Libby Heaney deploys a live virtual environment to challenge sanitized narratives that obscure the magical and queer aspects of quantum phenomena. The piece is drawn from Heaney’s own memories and associated emotions, exploring quantum as a metaphor for self. For MoMI’s monumental Redstone Theater screen, Heaney has used IBM’s quantum computers to create a real-time multiverse that she will also enter as she performs through her webcam feed. The performance invites a reconsideration of the concessions raised among the fundamental poetics of science, human existence, and market forces.
Ent- (many paths version), (2022) and 1,800,000,000,000,000 Quantum Hybrids, (2021) are part of the major group show Hypercreatures: Future Mythologies,
Max Ernst Museum, Bruehl,
22 March – 5 Oct, 2025.
Heaney was interviewed by Emily May for Frieze Magazine for “Will Quantum Computing Change Art?”
‘Every time something happens, the universe branches into two,’ explains Heaney. ‘There’s an almost infinite number of universes where everything that could happen, happens.’ She herself created Heartbreak and Magic in 2024, a VR experience at Somerset House shaped by the comfort she took in quantum physics after the tragic death of her sister. ‘Science says that she should still exist in some parallel universe,’ Heaney says.