Artist Libby Heaney spoke about her recent artistic practice exploring the intersections of machine learning, pop culture and identity at Somerset House‘s (Inter-) event. Using the concept of diffraction as a pivot to explore her artworks Britbot, Euro(re)vision, Oh Brian and Top of the Bots, Heaney drew on feminist theories and quantum science to unpick identities and deconstruct limiting categories usually enforced by machine learning algorithms.
(Inter-) is a 2-day programme of installations, presentations, panel discussions and live performances exploring image, sound and digital art. Saturday’s programme opens with discussion and presentations exploring the politics of virtual and physical architectures and the new ways of queering digital.